Filmbox Negative/Print Multi-node Workflow - What colour space / log should be used in between for colour space aware tools?

[francisqureshi]

I quite like using Filmbox in the Neg / Print mode, with other correctors in the middle.. but I would love to know what's the best course of action for using the Resolve's HDR tool palette in between the Neg and Print - or say using a Tetra DCTL or pulling keys etc.

I think I read a while back ACEScc was a good choice as it doesn't have the toe of ACEScct but would love to know what's advised by Video Village?

I guess my over arching question is what is the best practice? Maybe I am over complicating things and I should just be doing major parallel corrections upstream before the Neg node still? Am I trying to work too closely to a Cineon style workflow?

This is a simplified Tree I've been using, Timeline space is usually Rec.709 Gamma 2.4 - SDR Commericial grading style

[gregcotten]

@andrewfinch might have a better answer than me but I think probably Cineon would be the closest match.